performance
audio: Discussion from Real-time Collaborative Art Making workshop
Submitted by Torsten Reimer on Wed, 30/07/2008 - 18:44.A recording of the afternoon discussion of a Methods Network workshop organized by Gregory Sporton, Visualization Research Unit, University of Central England (20 July 2007) at Margaret Street Building, UCE, Birmingham.
http://methodsnetwork.ac.uk/activities/act23.html
video: Interactive Performance - Untitled#1 - DanceBase Edinburgh
Submitted by LVangelis on Mon, 28/07/2008 - 14:44.
During a workshop with Beatriz Cantinho(dance), Ricardo Jacinto(Cello) and Nuno Torres(sax), we explored the potential of a body tracking system in real time improvisation. Predefine rules for spacial and motion analysis of the performer were fed to sound manipulation modules, extending the soundscape created by the acoustic instruments. [read more...]
video: Intimacy: Day Three
Submitted by bencraggs on Fri, 07/03/2008 - 00:10.biblio: Digital Tools for Performance
Submitted by Marina on Thu, 28/02/2008 - 13:34.| Publication Type | Web Article | |
| Year of Publication | 2007 | |
| Authors / Editors | Grindley, Neil | |
| URL | http://www.methodsnetwork.ac.uk/redist/pdf/wkp07.pdf |
event: NEW THURSDAY CLUBS with ANNA HOWITT
Submitted by Marina on Tue, 26/02/2008 - 12:01.The Empty Space Gallery
The Empty Space Gallery exists to foster creativity, and encourage debate
about what ‘art’ is and what ‘artists’ are. It’s a novel way of
encouraging people to engage with this thing we call ‘art’ and what it
might be. Ultimately it is an experiment in ‘art’, ‘artists’, those that [read more...]
event: NEW THURSDAY CLUBS with ELENA COLOGNI
Submitted by Marina on Tue, 26/02/2008 - 11:58.The Film As Document In (Of) Real Time
A meta-linguistic performative experiment.
Key questions:
1. In my video live installations I investigate the perception of time
(psychological time ), non simultaneous artist and audience interchange in
liveness, and the production of the video document. Live recording,
pre-recording and their transmission, as overlapping layers of [read more...]
event: NEW THURSDAY CLUBS with RAYMOND HARMON
Submitted by Marina on Tue, 26/02/2008 - 11:55.Painting in Light: Experimental Film and the Advent of Improvisational
Cinema
The traditional model for cinematic expression is as a controlled
environment moving forward in a linear direction. From its inception the
art of filmmaking has been dominated by a single form of chronological
development. Each film exists as a series of frames that are static at the
start of the film. [read more...]
video: Intimacy: Day Two
Submitted by bencraggs on Wed, 13/02/2008 - 21:09.This is a short montage showing some of the performances from day 2 of Intimacy.
forum: Interview with Rachel Zerihan
Submitted by Marina on Tue, 12/02/2008 - 16:07.Interview run by Ben Craggs.
Rachel Zerihan is a PhD Researcher at the School of Arts, Roehampton
University and Sessional Lecturer at Queen Mary University of London.
Firstly may I take this opportunity to thank Rachel, the
co-organiser of Intimacy, for taking time out to contribute to this
discussion? [read more...]
biblio: Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer
Submitted by Ariel Elkin on Tue, 08/01/2008 - 13:07.| Publication Type | Book | |
| Year of Publication | 1995 | |
| Authors / Editors | Chartier, Roger | |
| City | Philadelphia |




