annotation
image: Text Grid Slide
Submitted by tobiasb on Tue, 29/07/2008 - 11:17.image: Text Grid Slide
Submitted by tobiasb on Tue, 29/07/2008 - 11:17.image: Text Grid Team
Submitted by tobiasb on Tue, 29/07/2008 - 11:17.image: Text Grid Logo
Submitted by tobiasb on Tue, 29/07/2008 - 11:17.biblio: Introduction to Metadata
Submitted by Marina on Thu, 28/02/2008 - 17:05.| Publication Type | Book | |
| Year of Publication | 1998 | |
| Authors / Editors | Gill, Tony; Gilliland-Swetland, Anne; Baca, Murtha |
biblio: Digital Tools For Musicology
Submitted by Marina on Thu, 28/02/2008 - 16:06.| Publication Type | Web Article | |
| Year of Publication | 2007 | |
| Authors / Editors | Grindley, Neil | |
| URL | http://www.methodsnetwork.ac.uk/redist/pdf/wkp02.pdf |
biblio: What's in the Art Historian's Tool Kit?
Submitted by Marina on Thu, 28/02/2008 - 12:24.| Publication Type | Web Article | |
| Year of Publication | 2006 | |
| Authors / Editors | Grindley, Neil | |
| URL | http://www.methodsnetwork.ac.uk/redist/pdf/wkp01.pdf |
biblio: Digital Preservation
Submitted by Marina on Wed, 21/11/2007 - 17:26.| Publication Type | Book | |
| Year of Publication | 2006 | |
| Authors / Editors | Deegan, Marilyn; Tanner, Simon | |
| Series Title | Digital Futures Series | |
| City | London | |
| Volume | 1 | |
| Number of Volumes | 1 | |
| Number of Pages | 260 |
event: Annotating Image Archives To Support Literary Research
Submitted by Lydia Horstman on Wed, 10/10/2007 - 10:48.10/10/2007 - 09:00
11/10/2007 - 14:30
Etc/GMT
A workshop organized by Omer Rana, University of Cardiff.
The aim of this workshop is to bring together researchers within literary studies (particularly those focusing on nineteenth-century literature and illustrations), and members of the computer science community focusing on Semantic Web and CBIR technologies: [read more...]
wikipage: Annotation and Representation Tools (Music)
Submitted by neil.grindley on Wed, 11/07/2007 - 14:54.Sheet music notation as constructed out of clefs, staves, bars and notes is a highly effective distillation of the idea of a musical work but is seriously limited in terms of what it can faithfully represent about the expressive qualities of a performance, e.g. timbre, changes in tempo and very specific interpretations to do with the onset and decay of notes. [read more...]




