Resource sharing

project: Magnetic moments in the past: Developing archaeomagnetic dating for application in UK archaeology

This project follows on from a previous collaboration which established a methodology for using measurements of the past magnetic field of the Earth for dating archaeological materials in the last 4000 years in the UK. The primary aim of this project is to realise the potential of this research by developing its practical application in UK archaeology. There is increasing interest in using archaeomagnetic dating as part of the suite of chronological tools available to archaeologists. However, it has yet to be adopted routinely. [read more]

project: Who Were the Nuns?

The project is a prosopographical study of the English convents in exile during the period 1600-1800 when it was illegal to be a nun in Britain. Key research questions include a broad response to the question 'Who were the nuns?' This involves locating the members in their family, religious, political and economic context and identifying the support networks sustaining the convents over two centuries. [read more]

project: Staging Exile, Migration and Diaspora in Hispanic Theatre and Performance Cultures

The project focuses on Spanish Republican Exile (SRE) theatre and performance, aiming to recover, represent and help to preserve the full range of representation of the experience of exile in theatrical and performance texts and paratexts (histories, memoirs, reviews, criticism, photographs and audiovisual recordings), by contributing to the creation, updating and maintenance of the Centre for the Study of Hispanic Exile's bibliographical database and stand-alone web resource on SRE, and by bringing together key researchers on Spanish Exile Theatre and Performance in a series of panels within [read more]

project: Women in Modern Irish Culture

The database includes a whole range of publications, such as novels, articles, poems, memoirs, travel writing, essays, cookery writing, plays, films, etc. The database also provides biographical details, where available, such as birth dates, date of death, place of birth and death, places associated with a particular author, together with all known pseudonyms. Every known edition of a book, play, or film is listed, along with details of printers and publishers for each work. [read more]

project: An investigation into what constitutes a reproduction in the 20th Century, through the 19th Century collotype process

This project challenged the notion of what constitutes a reproduction in the light of 21st Century digital technology and print output through an evaluation through visual and practical research into 19th Century photomechanical print processes, in particular the process of collotype. Whilst the contemporary half-tonal system is a commercially economical means of printing, the resulting images do not fully attain the same depth of colour or image clarity as those produced by either chemical photography or the screenless photomechanical printing processes in use at the end of the 19th century. [read more]

project: Out of the Wings

Out of the Wings brings the untapped riches of the theatres of Spain and Spanish America to English-speaking theatre professionals – practitioners and researchers alike. The virtual environment will reveal the plays as well as the bodies of knowledge that inform and sustain professional practice within Hispanic cultures. [read more]

project: The Cairo Genizah manuscripts: Taylor-Schechter Old Series and the Mosseri Collection

The project aims to complete the cataloguing and detailed description of the Old Series of the Taylor-Schechter Cairo Genizah Collection and a substantial proportion of the Jacques Mosseri Genizah Collection. The T-S Collection consists of approx. 193,000 medieval (and early modern) Jewish manuscripts recovered from a storeroom (Genizah) in Old Cairo one hundred years ago, and is an unparalleled resource for the study of medieval Judaism, Islam and the history of the Mediterranean and Near East in the Middle Ages. The Old Series is the historical core of the Collection, and approx. [read more]

project: Commissioning, production, content and audience reception of bicentenary events commemorating the abolition of the slave trade in the UK, 1807-2007

The central aim of the 1807 Commemorated project was to both map and analyse the responses of museums and their audiences to the 2007 bicentenary of the abolition of the slave trade act of 1807. [read more]

project: Capturing the past, preserving the future: digitisation of the national review of live art video collection

The Capturing the Past, Preserving the Future project has the following aims: To preserve for posterity the unique research materials contained in the National Review of Live Art Video Archive by digitising and maintaining the entire collection; To create an interactive and searchable on-line catalogue, including selected copyright-cleared examples of its holdings; To promote the enhanced research facility amongst the UK higher education, national and international performance research and practitioner communities; Readiness for developing curated programmes. [read more]

project: Staging the Henrician Court

The Great Hall at Hampton Court Palace is the only great hall built by Henry VIII. It is also the only existing Renaissance building in England for which there is unambiguous evidence of its being used for performances throughout the period c.1525 - 1658. In particular, the Great Hall at Hampton Court is largely the same space today as it was when William Shakespeare staged his A Midsummer Night's Dream before James I and VI. Staging the Henrician Court is an interdisciplinary research project into John Heywood's drama, the Play of the Wether. [read more]

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