3D object

project: Hidden Histories of Exploration: Exhibiting Geographical Collections

This project considers the role played by indigenous peoples and intermediaries in the history of exploration, as revealed by research in the collections of the Royal Geographical Society (with IBG). The project is particularly concerned with the roles of guides, porters, pilots, cooks, carriers, interpreters, go-betweens and informants in the creation of geographical knowledge. In wider terms, it seeks to provide a model for new ways of working with well-established geographical collections. [read more]

project: E-Curator: 3D colour scans for remote object identification and assessment

The E-Curator research project "3D colour scans for remote object identification and assessment" is a project at UCL Museums and Collections. This project draws on UCL's expertise both in curatorship and in e-Science. It takes advantage of the presence at UCL of world class collections across a range of disciplines and of a state of the art colour scanner, the quality of which is unequalled in the UK. [read more]

project: British Cartoon Archive Digitisation (BCAD) project

The British Cartoon Archive Digitisation Project (BCAD) involved a redesign of the British Cartoon Archive (BCA) website, to increase its functionality and usefulness to researchers, teachers, and students, and the addition of new digital images from the BCA collection. The new digital images came largely from the huge Carl Giles collection, which arrived at the BCA in 2005 and is now totally accessible through the BCA online catalogue. [read more]

tool: TurnTool

Purpose: 

TurnTool is a suite of tools that enable 3D models to be created and viewed in a low-bandwidth environment. The suite consists of two components: a TurnToolBox plug-in for integration with 3D Studio Max, Autodesk Viz, Cinema4D and ArchiCAD that allows these software applications to export objects into the TurnTool format; and a TurnTable Viewer plug-in that is able to recreate the 3D model in a windowed environment or web browser.

Features: 
  • 3D modelling
  • ActiveX viewer
  • Low bandwidth use
A&H use case 1 description: 
The Adolphe Appia at Hellerau project used TurnTool to export a model of the performance space within the Hellerau Festspielhaus building in Dresden, Germany.
A&H use case 2 description: 
The Body and Mask in Ancient Theatre Space project publishes 3D depictions of Greek and Roman mask miniatures relating both to comedy and tragedy and publishes them online through TurnTool.
A&H use case 3 description: 
The Pompey Project used TurnTool to create a web accessible 3D model of Rome’s first permanent theatre.
Creator: 
TurnTool ApS
Publisher: 
TurnTool ApS
Data publishing and dissemination: 
Data structuring and enhancement: 
lifecycleStage: 
Platform: 
Licence: 
Software/programming languages used: 

project: DARIAH: Digital Research Infrastructure for the Arts and Humanities

Supporting and enhancing digitially enabled research. The Digital Research Infrastructure for the Arts and Humanities (DARIAH) aims to develop and maintain an infrastructure in support of ICT-based research practices across the arts and humanities, acting as a trusted intermediary between disciplines and domains. [read more]

project: Virtual Reconstruction of Palladio’s Teatro Olimpico

The Teatro Olimpico at Vicenza, Italy - still existent and well preserved - was built in 1580-85 for the local Accademia Olimpica (founded in 1556) on a plot provided by the city council. It was the first permanent theatre to be built in Europe since antiquity. The stage, which resembles a façade of a Renaissance palace, and the semi-oval sitting area were designed by the architect and founding member of the Accademia, Andrea Palladio (1508-80). He died soon after the work began; his son, Silla took over. [read more]

project: Virtual Recreation of Palladio’s Villa Rotonda

The Villa Rotonda, also known as Villa Capra or Villa Almerico-Valmarana, is one of the best known works by the Renaissance architect Andrea Palladio (1508-80). It was built just outside Vicenza, Italy, in the countryside, as a retirement residence for the clergyman at the Vatican, Paolo Almerico. The work began in c. 1565/6. Although the villa was inhabited by 1569 it was still unfinished by the time of Almerico’s death in 1589. [read more]

project: 3D Reconstruction of the Unbuilt Project Pont destiné à réunir la France à l’Italie (1829) by Henri Labrouste

Henri Labrouste (1801-75) is best known as the architect of two important public buildings in Paris, both libraries. The Bibliothèque Sainte-Geneviève, completed in 1851, demonstrated Labrouste's unconventional use of classical elements, much disputed at the time, and his structural innovation of introducing an exposed iron frame. The Bibliothèque Nationale, completed in the year of his death, is renowned for its eclectic reading room reminiscent of a Seljuk mosque: a light, top-lit round space with slender cast-iron columns, which support a multitude of small domes. [read more]

project: Statue of Buddha, National Museums Liverpool, UK

"This project by Conservation Technologies, National Museums Liverpool, was concerned with recording and digital reconstruction of a 13th-century Japanese statue of Buddha in the World Museum Liverpool. The subject of this investigation was a 70cm-high wooden sculpture probably made in Japan during the Kamakura period (1185 – 1333). Painted floral decoration visible today was applied during the later Edo period (1600 – 1868). There are also other changes in the original appearance and some features are missing. [read more]

project: Pockets of history: production and consumption of women's tie-on pockets in Britain from 1690-1914

The project charts the production and consumption of women’s tie-on pockets in Britain over two centuries. These textile artefacts, familiar to Lucy Locket, were popular before the introduction of handbags in the later nineteenth century but are now largely unknown. Their capacious form, plain or decorated, and their varied contents exemplified everyday work, tastes, and skills of women across the social spectrum. They were made at home throughout the period by individuals for their own use and also manufactured commercially from the mid-18th century. [read more]

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