North America
project: Poetry Beyond Text: Vision, Text and Cognition
Grant Holder: Dr Andrew Roberts
This research project uses psychological, critical and creative methods to study how readers respond to the visual aspects of poetry. It involves specialists in English and Comparative Literature, Fine Art and Psychology. These include the shape of visual or concrete poetry (where words are arranged spatially in particular patterns on the page), the combination of poetry with images (in artists' books and prints), and the moving words and images found in digital poetry (a relatively new form of poetry which is usually web-based and often interactive). [read more]
project: Beyond Legalism: Amnesties, Transition and Conflict Transformation
Grant Holder: Professor K McEvoy
Amnesty laws are an important but often contentious way for states to quell dissent, end conflict or shield state agents from prosecution. This project aims to move beyond legalistic debates to produce an analysis of the consequences of enacting amnesty laws during transitional periods, based on fieldwork in five jurisdictions worldwide. The website contains the Amnesty Law Database comprising materials relating to over 500 amnesty laws enacted since the end of World War Two. [read more]
project: World Oral Literature Project
Grant Holder:
The World Oral Literature Project is an urgent global initiative to document and make accessible endangered oral literatures before they disappear without record.
Established at the University of Cambridge in 2009, the project aspires to become a permanent centre for the appreciation and preservation of oral literature and collaborate with local communities to document their own oral narratives. [read more]
project: Connecting Cornwall: Telecommunications, Locality and Work in West Britain 1870-1918
Grant Holder: Dr Richard Noakes
Cornwall has a number of significant historical communications sites starting with Porthcurno and ranging over early radio sites at Poldhu and the Lizard to Land’s End and Bodmin Radio and the Satellite station at Goonhilly. The ‘Connecting Cornwall’ project will be using the Cable and Wireless historic archive to develop new research into the communications industry in Cornwall with an emphasis on the Eastern Telegraph Company in the first instance. [read more]
project: Who Were the Nuns?
Grant Holder: Michael Questier
The project is a prosopographical study of the English convents in exile during the period 1600-1800 when it was illegal to be a nun in Britain. Key research questions include a broad response to the question 'Who were the nuns?' This involves locating the members in their family, religious, political and economic context and identifying the support networks sustaining the convents over two centuries. [read more]
project: In an arena including digital and traditional artists' publishing formats - what will be the canon for the artist's book in the 21st Century?
Grant Holder: Miss Sarah Bodman
This project investigated and discussed issues concerning the history and future of the artist’s book. Our aim was to extend and sustain critical debate of what constitutes an artist’s book in the 21st Century - in order to propose an inclusive structure for the academic study, artistic practice and historical appreciation of the artist’s book. All of the research outcomes, including the publication A Manifesto for the Book, audio and video files,interviews and case studies are downloadable from the project website.
http://www.bookarts.uwe.ac.uk/canon.htm [read more]
project: Why me? Artist's use of self image
Grant Holder: Ms Anne Seagrave
The project created an alphabetically presented research database containing the names of over 340 artists worldwide who feature their own physical presence within the artworks they present. It is anticipated that this database will be of interest to artists, academics within the research community, the art media and art viewing public; specifically those interested in investigating and questioning cross cultural parallels between artist's use of self representation through diverse artistic practices. [read more]
project: Hidden Histories of Exploration: Exhibiting Geographical Collections
Grant Holder: Professor Felix Driver
This project considers the role played by indigenous peoples and intermediaries in the history of exploration, as revealed by research in the collections of the Royal Geographical Society (with IBG). The project is particularly concerned with the roles of guides, porters, pilots, cooks, carriers, interpreters, go-betweens and informants in the creation of geographical knowledge. In wider terms, it seeks to provide a model for new ways of working with well-established geographical collections. [read more]
project: From 'Peaceable Kingdom' to 'Wild West': Violence and Crime on the Early American Frontier
Grant Holder: Dr Matthew C. Ward
The research project is an historical study of violence and crime on the Early American frontier, examining the extent to which, and reasons why, the early American frontier became the locus of such violence and disorder. The databases available are collections of petty criminal cases from the court of common pleas and court of quarter sessions for 13 counties in Pennsylvania, Virginia, Kentucky and Ohio, USA and Ontario, Canada, ranging in date from 1730 to 1820. In addition there is tax data in 26 datasets for the same counties, covering the same dates. [read more]
project: An exploration of the potential for new narrative experiences in first person perspective gaming.
Grant Holder: Mr Daniel Pinchbeck
First person perspective, or shooter, (FPS) games are mass-market virtual realities, whose cultural significance is increasingly clear, yet their content is tends to be problematic, often highly violent, with very limited emotional depth or semantic complexity, and utilising a tiny number of narratives and archetypes. [read more]