Digital Arts and Humanities Bibliography
This is a general, introductory bibliography to the digital arts and humanities - and open to contributions from the community (read more). In particular, we would like to draw your attention to the Digital Research in the Arts and Humanities series, published by Ashgate. Its aim is to provide an authoritative reflection of the state of the art in the application of computing and technology as well as to be of wide interest to all scholars working in humanities and arts research.
] Title Type Year
Web Wisdom,
, New Jersey, Lawrence Erlbaum Associates, Inc., 1999.
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Developing SGML DTDs: From Text to Model to Markup,
: Prentice Hall, 1995.
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EpiDoc: Guidelines for Structured Markup of Epigraphic Texts in TEI,
, 2007.
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DRH 2001 and 2002,
, London, Office for Humanities Communication, 2003.
Abstract
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"The Hidden Side of Visualization",
Techné: Research in Philosophy and Technology, vol. 7, issue 2, 2003.
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" What's in a Word-list? Investigating Word Frequency and Keyword Extraction",
Digital Research in the Arts and Humanities, vol. 3, pp. 200, 2009.
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"Choreographic Morphologies: Digital Visualization and Spatio-Temporal Structure in Dance and the Implications for Performance and Documentation",
EVA London 2008, London, pp. 9-18, 2008.
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Scholarly Electronic Publishing Bibliography,
, 2006.
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"How Academics Use Technology in Teaching and Learning: Understanding the Relationship between Beliefs and Practice",
Journal of Computer Assisted Learning, vol. 2, issue 2, pp. 14, 2006.
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"VERA: Virtual Environment for Research in Archaeology",
4th International Conference on e-Social Science, Manchester, 18/06/2008.
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"Systematic Approaches to Long Term Digital Collection Management ",
Literary and Linguistic Computing, vol. 20, issue 4: Oxford Journals, pp. 399-413, 11/2005.
Abstract
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Approaches to Understanding Visual Culture,
, Basingstoke and New York, Palgrave, 2001.
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Sociomedia: Multimedia, Hypermedia, and the Social Construction of Knowledge,
, Cambridge, MA, MIT Press, 1994.
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"Original, Authentic, Copy: Conceptual Issues in Digital Texts ",
Literary and Linguistic Computing, vol. 20, issue 4: Oxford Journals, pp. 415-424, 11/2005.
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"Futures Past: Thirty Years of Arts Computing",
Computers and the History of Art, Yearbook 2005, vol. 2, Bristol, Intellect Books, 2007.
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Digital Art History. A Subject in Transition,
, vol. 1, London, Intellect, 2005.
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Introduction to Imaging,
, Revised Edition, Santa Monica, CA, The Getty Art History Information Program, 1995.
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"Cyberinfrastructure, the Scaife Digital Library and Classics in Digital Age",
Digital Humanities Quarterly, vol. 3, issue 1, 2009.
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"EpiDoc: Epigraphic Documents in XML for Publication and Interchange",
Latin on Stone: Epigraphic Research and Electronic Archives: Lexington Books (Rowman & Littlefield), pp. xvii + 174, 2010.
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"Though much is taken, much abides: Recovering antiquity through innovative digital methodologies",
Digital Classicist/Digital Medievalist Special Issue, 2008.
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The Craft of Research,
, Chicago, University of Chicago Press, 1995.
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How to use Web 2.0 in your library,
, London, Facet Publishing, 2007.
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Choosing an XML Editor,
, 2004.
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"History and the Web, From the Illustrated Newspaper to Cyberspace: Visual Technologies and Interaction in the Nineteenth and Twenty-First Centuries",
Rethinking History, vol. 8, issue 2, 2004.
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"Classics and the Computer: The History of a Relationship",
Accessing Antiquity: The Computerization of Classical Studies, Tucson, University of Arizona Press, 1993.
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The Digital Demotic: A Selection of Papers from DRH97,
, London, Office for Humanities Communication, 1998.
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TEI P5: Guidelines for Electronic Text Encoding and Interchange,
, 2007.
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Electronic Textual Editing,
, New York, MLA, pp. 419, 2006.
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Computing in the Social Sciences and Humanities,
: University of Illinois Press; Har/Cdr edition, pp. 208 pages, 2002.
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"The annals of humanities computing: The index Thomisticus",
Language Resources and Evaluation, vol. 14, issue 2, pp. 83-90, 1980.
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"Computer Ethics: Its Birth and Its Future",
Ethics and Information Technology, vol. 3, issue 109-112, 2001.
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Cyberphilosophy,
, Oxford, Blackwell, 2003.
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"Digital Art History",
Computers and the History of Art, Yearbook 2004, First, vol. 1, Bristol, Intellect Books, pp. 123, 2005.
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Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer,
, Philadelphia, University of Pennsylvania Press, 1995.
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"Interfaces of Performance",
Digital Research in the Arts and Humanities, vol. 5, pp. 232, 2009.
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"Performance as digital text: Capturing signals and secret messages in a media-rich experience",
Literary and Linguistic Computing, vol. 24, issue 2: Oxford Journals, pp. 153-160, 06/2009.
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"History and the Second Decade of the Web",
Rethinking History, vol. 8, issue 2, pp. 293-301, 2004.
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"The Future of Preserving the Past",
CRM: The Journal of Heritage Stewardship, vol. 2, issue 2, pp. 6–19, 2005.
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Digital History: A Guide to Gathering, Preserving, And Presenting the Past on the Web,
: University of Pennsylvania Press, pp. 316 , 2005.
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"In the Philosophy Room: Australian Realism and Digital Content Development ",
Literary and Linguistic Computing, vol. 21, issue 2: Oxford Journals, pp. 159-167, 06/2006.
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