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Bibliography
This is a general, introductory bibliography to the digital arts and humanities - and open to contributions from the community (read more).
A
The Hidden Side of Visualization, Techné: Research in Philosophy and Technology, vol. 7, issue 2, 2003.
DRH 2001 and 2002, London, Office for Humanities Communication, 2003.
Web Wisdom, New Jersey, Lawrence Erlbaum Associates, Inc., 1999.
Developing SGML DTDs: From Text to Model to Markup: Prentice Hall, 1995.
B
Though much is taken, much abides: Recovering antiquity through innovative digital methodologies, Digital Classicist/Digital Medievalist Special Issue, 2008.
Futures Past: Thirty Years of Arts Computing, Computers and the History of Art, Yearbook 2005, vol. 2, Bristol, Intellect Books, 2007.
How to use Web 2.0 in your library, London, Facet Publishing, 2007.
Electronic Textual Editing, New York, MLA, pp. 419, 2006.
Digital Art History. A Subject in Transition, vol. 1, London, Intellect, 2005.
History and the Web, From the Illustrated Newspaper to Cyberspace: Visual Technologies and Interaction in the Nineteenth and Twenty-First Centuries, Rethinking History, vol. 8, issue 2, 2004.
Cyberphilosophy, Oxford, Blackwell, 2003.
Computing in the Social Sciences and Humanities: University of Illinois Press; Har/Cdr edition, pp. 208 pages, 2002.
Computer Ethics: Its Birth and Its Future, Ethics and Information Technology, vol. 3, issue 109-112, 2001.
Approaches to Understanding Visual Culture, Basingstoke and New York, Palgrave, 2001.
The Digital Demotic: A Selection of Papers from DRH97, London, Office for Humanities Communication, 1998.
Introduction to Imaging, Revised Edition, Santa Monica, CA, The Getty Art History Information Program, 1995.
The Craft of Research, Chicago, University of Chicago Press, 1995.
Sociomedia: Multimedia, Hypermedia, and the Social Construction of Knowledge, Cambridge, MA, MIT Press, 1994.
Classics and the Computer: The History of a Relationship, Accessing Antiquity: The Computerization of Classical Studies, Tucson, University of Arizona Press, 1993.
The annals of humanities computing: The index Thomisticus, Language Resources and Evaluation, vol. 14, issue 2, pp. 83-90, 1980.
C
Digital Art History, Computers and the History of Art, Yearbook 2004, First, vol. 1, Bristol, Intellect Books, pp. 123, 2005.
The rewards of digitisation: a corpus-based approach to writing history, Digital Resources for the Humanities 2005, Lancaster University, 04/09/2005.
Digital History: A Guide to Gathering, Preserving, And Presenting the Past on the Web: University of Pennsylvania Press, pp. 316 , 2005.
The Future of Preserving the Past, CRM: The Journal of Heritage Stewardship, vol. 2, issue 2, pp. 6–19, 2005.
History and the Second Decade of the Web, Rethinking History, vol. 8, issue 2, pp. 293-301, 2004.
Digital Resources for the Humanities, Morgantown, West Virginia Universoty Press, 2001.
Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer, Philadelphia, University of Pennsylvania Press, 1995.
D
Text Editing, Print and the Digital World, Digital Research in the Arts and Humanities, 2009.
Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation, Leonardo, London, MIT Press, pp. 809, 2007.
Digital Preservation, Digital Futures Series, vol. 1, London, Facet Publishing, pp. 260, 2006.
Issues, principles and policies for creating high-quality digital resources with low-cost methods, Digital Resources for the Humanities 2005, 04/09/2005.
Creating a history ontology: the challenges and criteria of building a humanities ontology, Digital Resources for the Humanities 2005, Lancaster University, 04/09/2005.
Community Service: Collaborative technologies and the development of scholarly communities in the arts and humanities, Digital Resources for the Humanities 2005, Lancaster University, 04/09/2005.
Literary & Linguistic Computing, Literary & Linguistic Computing, vol. 19, issue 3: Oxford University Press, 2004.
XML for Music, 2003.
On the Internet, London, Routledge, 2001.
